Happy's Corner

"Piano Lessons: Just What the Hell Are Kids Learning Anyway?"
by H. C. Lechuk

A lot of kids take piano lessons. Why? Status for the parents, perhaps? A sense of infusing children with culture? Another thing to be done to build the perfect child? There's a variety of reasons. But, it's usually some need on the parents' part to improve the lot of their child.

I think that's great. A lot of piano lessons means more work for piano manufacturers and piano teachers and more support for music in general. So, what's my beef? Well, give me a minute to explain.

Most piano lessons start out as fun for the child. They have fun with neat sounds and they get to play pleasant sounding children's songs. After a while, as the kid progresses, most teachers will start the kids on classical music (in general terms, whatever is accepted by classically-trained teachers as 'serious' music). Soon, the kid is asked to memorize pieces from guys long dead to play at examinations or recitals. The pieces get more and more complicated requiring much more work from the student. At some point, students get really bored and parents and/or teachers may give them lectures to persuade/force them to keep going.

I don't think most kids are lazy. I think it's normal to get bored. Just think about it, you spend a whole year working on five to eight pieces written by guys that died anywhere from 50 to 400 years ago. You don't spend any time (at least not with your lessons) learning about all the great music that you hear today. I think great music and great art have value and should be passed on no matter how old they are, but I really think that it's moronic to base all your teaching on old stuff and not even touch the stuff that's going on right now (rock, pop, country, dance, etc. take your pick).

Music is part of society. It's all connected. Some of the older stuff, especially Baroque (about 1600-1750) and Classical (about 1750-1825) pieces, were composed for an aristocratic, Western European audience. The popular music today, especially rock, is democratic global music. It started with the black community in the U.S.A., got picked up by rebellious white kids, and spread to Europe and, eventually, most of the world to embrace people of all ethnic backgrounds.

Someone that understands Baroque and Classical pieces but has no understanding of pop or rock will, to some measure, be cut off from today's world. Instead of focusing on just the old stuff, I think the best thing to do would be to teach mostly pop songs and then connect them back to earlier music. Instead of separating things, the teacher should demonstrate how things are connected. Is this a tall order? Probably, but it's not impossible; there's a lot of good educational materials (transcriptions, etc.) out there. I think I'll bug Ronin about coming up with a practical program for implementing my suggestions. It should take him a few days or so.

[Editor's note: Since this article was initially published, Happy has badgered me into taking on the above task. It's complete now but it took more than a few days. ]

Goodbye for now. Remember, stay Happy and don't take no crap!

Yours truly,

Happy.

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